What Can be Done with an Egg? Creativity, Material Objects, and the Theory of Affordances
December 12, 2012 Editor 0
This article offers a reflection on the role of material objects in the creative process and explores the potential links between creativity and the theory of affordances (Gibson, ), conceptualized from a sociocultural perspective. From this standpoint, creativity can be defined as a process of perceiving, exploiting, and “generating” novel affordances during socially and materially situated activities. Illustrations are offered for each of the above from a research project investigating traditional Easter egg decoration activities in rural Romania. This brief case study exemplifies the discovery of existing action potentials, the generation of objects with novel affordances, and the transgression of conventional procedures, all resulting in creative forms of expression. In the end, some conclusions are drawn regarding the ways in which an affordance theory of creativity can enrich our understanding of the phenomenon and contribute to the development of a new program of research concerned with situated and distributed creative acts.
- Is Nurturing Creativity a Luxury or a Necessity for Schools in Developing Nations?
- Linear and Nonlinear Thinking: A Multidimensional Model and Measure
- Development Ideas Hype Cycle for 2014
- “We’ve Got Creative Differences”: The Effects of Task Conflict and Participative Safety on Team Creative Performance
- Tapping into Your Inner Creative
- Integrating risk management in the innovation project
Subscribe to our stories
- SL Crowd Green Solutions September 21, 2020
- Digital transformation in the banking sector: surveys exploration and analytics August 3, 2020
- Why Let Others Disrupt You? Take the Smart Self-Disruption Journey! August 3, 2020
- 5 Tips for Crowdfunding During the Pandemic August 3, 2020
- innovation + africa; +639 new citations August 3, 2020